anthologies
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₦0.00When we invited writers for this Issue, submissions of any theme or genre were welcomed, but especially so for works that explore the concept of journeys through the lenses of travels and tours―what it means to travel, to seek out new places. To write a story or a poem or an essay, writes Garth Greenwell, is to make a claim about what we find beautiful, about what moves us, to reveal a vision of the world, which the writers in this Issue have done with their work.
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I’m pleased to say that it felt like home journeying to the birth of this book. Of course home is where the “art” is. This chapbook contains 20 poems scribed from the very core of my heart.
“Dancing With The Tides” sends a message or talks about the need to being in equilibrium with the happenings in the world and not to be too attached to one specifically.
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₦1,000.00Add to basketAbebi
Cries of a baby
Tears of Iya Abebi
Evil some people call life
Isn’t it darkness that brought her to life?At birth she takes a sweet full
Colostrum it is called
Nigeria, I call Abebi
Iya, I call her forefathersAbebi did not grow like others
When a father drinks the milk,
of the child
Doesn’t the child’s belly get bigger?Abebi did not take in
Enough milk while growing,
even though, filled with milk and honey
Abebi is now weaned on garriQuick View -
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The works featured in the Prism issue have told a variety of truths. In May the Thirtieth, the poet writes, “I come from a place / where we are closest to sunrise”. You, the reader, could argue the veracity of this admittance.
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The writers in this issue have taken the decision to shape the dialogue of the day by continuing to write. In doing so, these writers have opened new doors to all sorts of conversations about everyday living. They have also given us stories that make us gasp delightedly, cry and laugh. Such was my experience reading them. Through the stories, I was reminded of our shared humanity. I was also prompted to remember our complexities as humans. In the end, I found myself gaining fresh perspectives.
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