Prisms: Itanile Issue 9
The works featured in the Prism issue have told a variety of truths. In May the Thirtieth, the poet writes, “I come from a place / where we are closest to sunrise”. You, the reader, could argue the veracity of this admittance.
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How does a good story begin? Who knows? Does a good story begin with the end in view? Does it begin at the epicenter of a conflict? Or with a mission to address critical issues regarding the political state of a territory? Perhaps a story begins with an acknowledgment of a fact, as in, “these are the times”.
The writer’s work, in many cases, is a work of discovery. Of digging through the rubbles for a precious gem. This treasure hunt, sometimes, promises little reward. In the process of writing, writers realize that the greatest discovery possible through storytelling is the discovery of self – through this, a story can be opened up to vulnerabilities and truth. Because writing isn’t taking the truth to a story, but reaching for the truth in a story.
The works featured in the Prism issue have told a variety of truths. In May the Thirtieth, the poet writes, “I come from a place / where we are closest to sunrise”. You, the reader, could argue the veracity of this admittance. Is sunrise a literal phenomenon in this poem, or is the poet aiming for a metaphorical interpretation to his confession on the mind & its myriad ways of processing a feeling?
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When we invited writers for this Issue, submissions of any theme or genre were welcomed, but especially so for works that explore the concept of journeys through the lenses of travels and tours―what it means to travel, to seek out new places. To write a story or a poem or an essay, writes Garth Greenwell, is to make a claim about what we find beautiful, about what moves us, to reveal a vision of the world, which the writers in this Issue have done with their work.
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