Itanile is a literary brand that provides a platform for African writers to publish stories they want to tell about the African experience. We are committed to developing new audiences for African literature. We provide a storytelling platform that connects African writers with their readers
We’ve hosted and led impact-driven creative and literary projects through collaborative effort. Our global community is always growing to reach more and do more.
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Our stories have a purpose. Book two came about because stories of transformation are endless. In this book, you will read true personal, stories from authors from different countries sharing their life experiences and how it has impacted their lives and people around them.
Writing undoubtedly has become an essential part of storytelling. What we learn by observing the digital space in the twenty-first century is this: you need to know how to write. Politicians, event managers, athletes, grocery store owners, all of these people need content.
Here’s a compilation of training resources from our second installation of the Itanile writing workshop with Resoketswe Manenzhe @avatar_reso, and Kolawale Samuel Adebayo @officialpstkay (IG) & @samofthevoice (Twitter).
The poems traverse through dirges and nostalgia to arrive at a convention where love is a fleeting thing. The prose – the entire issue, even – beckon the reader to partake of whims, dreams, and dares.
This collection is free to download and run by a volunteer team, we would appreciate donations from you to keep our doors open throughout the year. Please donate here or message us: [email protected]
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Itanile Magazine is pleased to announce the winners of the Itanile Award for 2022. In rewarding the efforts and commitments of literary creatives for advancing the African experience through storytelling, we select winners of the award from works we publish from...
To be honest with you, this is not one of the parts of editorial work that's fun. Putting it all together—where we are, where we've been, and all the stuff. It's tedious, just like a baker making her wedding cake. It would be nice if someone else did it! Yet, we've...
The melanin queen was perched on a bar stool, Checking me out from head to shoe. Her eyes were made up with eye shadow, blue, And they seemed to be saying, ‘Oga, I want you.’ She took me to her place near the train station. I was like, ‘Is this the real thing or...
Though the oceans rage & the waters imagine a vain thing; though the sun scorches the earth's skin & it's rays sear pain onto my dermis. Yet will I stand by my window, & listen to the voice of the wind preaching hope. There are various melodies that...
These are the times We are in dark times, my love. The morning still sweet in the awful sepia sky & I can see war women through my misty window, Sitting graciously, Reciting the rosary on a front porch. Somewhere, at the back of a house, A drum softly thunders...
We are pleased to announce that entries are now open for our second reading period. Aligning with our commitment to promote emerging and established African voices, submissions are open to all African writers. For this issue, submissions of any theme or genre are...
1. my country as a metaphor for joke in my country, we have forgotten how to shiver when we see serrated bodies in short video clips. the gunshots do not cause birds to fly, women to gossip, or children to scamper for safety. but, there is a headless body on the floor...
It was what she had always prayed for. Life. A new life. An opportunity to make life. An opportunity to bring life into the world. After years of trying, she finally got what she wanted, a little bulge that turned into a bump. It was a difficult journey for her, but...
I started writing poetry, intentionally, in 2017. Studying literature in secondary school was mostly the catalyst. I fell in love after reading the poets we were taught
Coauthors: Precious Ozioma Okeke and Olayemi Mary Adeola For decades, African women have been presented as passive humans instead of the independent agents of change and the nation builders that they are. In acts and narratives, women are depersonalized, traumatized,...
