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₦4,000.00Add to basketBy dawn, a few of Tez’ Mu’s assumptions had been proven correct, earning him his escorts’ begrudging respect. Merchants using the Mirin route were now being allowed into the city, though the Keolyor had doubled security. That was an opportunity, one he intended to use.
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₦3,500.00Add to basketPoetry, in many instances, resists the desire to be confined to a single definition. Ask a magazine editor, a poet, and a critic what poetry is, and their responses will differ—despite their frequent intimacy with the form. One might argue that a poem is meant to be experienced, not defined. Yet often, the reader encountering a work of poetry seeks both experience and comprehension. They don’t just want to feel the poem; they want to understand it—to walk away satisfied with that experience because they “have a rational understanding of that experience,” as Yvor Winters put it.
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₦4,000.00Add to basketA wealthy couple crazy in love seems to be leading the perfect life, but nothing is ever perfect, nothing.
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₦500.00Add to basketThe woman beside her was chubby and rounded and the wrappa around her waist was hostile to the brown blouse she wore. Her head-tie was faded beige and had fallen off to the ground. Her head was shaking vehemently in rebuke and her body in total rebuff of surrender. The woman kept on bustling in roars; Obara Jesus! Obara Jesus! with her hands striding in very ridiculous rhythm.
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₦0.00When we invited writers for this Issue, submissions of any theme or genre were welcomed, but especially so for works that explore the concept of journeys through the lenses of travels and tours―what it means to travel, to seek out new places. To write a story or a poem or an essay, writes Garth Greenwell, is to make a claim about what we find beautiful, about what moves us, to reveal a vision of the world, which the writers in this Issue have done with their work.
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