Prisms: Itanile Issue 9
The works featured in the Prism issue have told a variety of truths. In May the Thirtieth, the poet writes, “I come from a place / where we are closest to sunrise”. You, the reader, could argue the veracity of this admittance.
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How does a good story begin? Who knows? Does a good story begin with the end in view? Does it begin at the epicenter of a conflict? Or with a mission to address critical issues regarding the political state of a territory? Perhaps a story begins with an acknowledgment of a fact, as in, “these are the times”.
The writer’s work, in many cases, is a work of discovery. Of digging through the rubbles for a precious gem. This treasure hunt, sometimes, promises little reward. In the process of writing, writers realize that the greatest discovery possible through storytelling is the discovery of self – through this, a story can be opened up to vulnerabilities and truth. Because writing isn’t taking the truth to a story, but reaching for the truth in a story.
The works featured in the Prism issue have told a variety of truths. In May the Thirtieth, the poet writes, “I come from a place / where we are closest to sunrise”. You, the reader, could argue the veracity of this admittance. Is sunrise a literal phenomenon in this poem, or is the poet aiming for a metaphorical interpretation to his confession on the mind & its myriad ways of processing a feeling?
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The writers in this issue have taken the decision to shape the dialogue of the day by continuing to write. In doing so, these writers have opened new doors to all sorts of conversations about everyday living. They have also given us stories that make us gasp delightedly, cry and laugh. Such was my experience reading them. Through the stories, I was reminded of our shared humanity. I was also prompted to remember our complexities as humans. In the end, I found myself gaining fresh perspectives.
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